Sharon Arnold was the guest curator of our Gallery4Culture exhibit The Duwamish Residency: Process and Artifacts.
Here's her gallery statement:
The Duwamish River, flowing through the southern and southwestern reaches of Seattle, is out of sight to many city dwellers on a day-to-day basis. But it’s there, threading its body through the valleys of our industrial districts; its mouth yawning through bridges and around shipyards to pour itself into Elliott Bay.
The Duwamish has been shaped by humans, and its course changed over time. It is still wild in parts, in spite of urban development, holding some small refuge for birds of prey, waterfowl, fish, and a few mammals. As an estuary, it was once home to a complex ecosystem of this kind of wildlife and humans; a resident population of cedars, firs, and alders flanking its shores alongside tideflats, swamps, forest, and wetlands. It is named after the indigenous tribe who populated this region around the river and Elliott Bay and Lake Washington, and who are still fighting for federal recognition of their tribe.
This river represents the duality of both timelessness and change. It flows, relentlessly, through land and through time. It rises, falls, and shifts color depending on the season and the weather. And though it no longer meanders, its path is now held by the walls of its industrial bed and the manufactured island splitting its delta. No longer flanked by a forest of native deciduous and evergreen trees, it is adorned with great cranes, container ships, and industrial warehouses.
To read the full statement (and it's worth it!) : http://www.4culture.org/2015/03/how-many-of-us-think-of-seattle-as-home-to-a-river/